BEIJING THE IMPERIAL PALACE CHINA 1808 GUIGNES ANTIQUE COPPER ENGRAVED VIEW

Description

BEIJING THE IMPERIAL PALACE CHINA 1808 GUIGNES ANTIQUE COPPER ENGRAVED VIEW
BEIJING THE IMPERIAL PALACE CHINA 1808 GUIGNES ANTIQUE COPPER ENGRAVED VIEW
Description
Enceinte extérieure du Palais.
Description:
Striking and highly detailed fine unusual
1808
Chrétien-Louis-Joseph de Guignes
's original copper plate showing the exterior of the Imperial Palace, inside the Forbidden City, at Beijing, China. A group of Native in their typical dresses adorn the view.
The Forbidden City (Chinese:
紫禁城
; pinyin: Zǐjìnchéng) is a palace complex in Dongcheng District, Beijing, China, at the center of the Imperial City of Beijing. It is surrounded by numerous opulent imperial gardens and temples including the 22 ha (54-acre) Zhongshan Park, the sacrificial Imperial Ancestral Temple, the 69 ha (171-acre) Beihai Park, and the 23 ha (57-acre) Jingshan Park. It includes the Palace Museum containing parts of the former Imperial art collection.
The Forbidden City was constructed from 1406 to 1420, and was the former Chinese imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts were built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987.
The complex consists of 980 buildings, encompassing 8,886 rooms and covering 720,000 m2 (72 ha)/178 acres. The palace exemplifies the opulence of the residences of the Chinese emperor and the traditional Chinese palatial architecture, and has influenced cultural and architectural developments in East Asia and elsewhere. It is listed by UNESCO as the largest collection of preserved ancient wooden structures in the world. Since 2012, the Forbidden City has seen an average of 14 million visitors annually, and received more than 19 million visitors in 2019. In 2018, the Forbidden City's market value was estimated at 70 billion USD, making it both the world's most valuable palace and the most valuable piece of real estate anywhere in the world.
Some sources describe it as the largest palace in the world still in existence, but other Chinese imperial residences far exceed it in size, namely the 6.1 km2 (610 ha) Zhongnanhai which lies just west of the Forbidden City, the 2.9 km2 (290 ha) Summer Palace in Haidian District, Beijing, and the 5.6 km2 (560 ha) Chengde Mountain Resort in Chengde, Hebei Province.
The Forbidden City in Beijing is one of the largest and most well-preserved ancient wooden structures in the world. It was listed as the first batch of national key cultural relics in 1961.
Source:
Guignes, Chrétien-Louis-Joseph de. Voyages a Peking, Manille et l'Île de France, fait dans l'intervalle des années 1784 à 1801. Paris, l'Imprimerie Impériale (J.J. Marcel) for Treuttel and Würtz, 1808.
Date:
1808 ( undated )
Dimension:
View size approx.:
cm 42,4 x 26,6
Condition:
Very strong and dark impression on good paper. Sheet uncolored. Wide margins. Corners partially missing. Small foxing and browning. Conditions are as you can see in the images
.
Author:
Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavour he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil and water-colour are full of character. He died at Genoa in 1860. In 1893 a monument by Emmanuel Frémiet was unveiled in the Jardin de l'Infante at the Louvre, Paris. The statue was removed and melted down during the nazi occupation of Paris.
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